Mike Lee | KUT

Senior Producer: Arts Eclectic, Get Involved, Sonic IDs

Mike is a features producer at KUT, where he’s been working since his days as an English major at the University of Texas. He produces Arts Eclectic, Get Involved, and the Sonic ID project, and also produces videos and cartoons for kut.org. When pressed to do so, he’ll write short paragraphs about himself in the third person, but usually prefers not to.

Several years ago, he featured a young dancer on his Arts Eclectic program, and she was so impressed by his interviewing skills that she up and married him. Now they enjoy traveling, following their creative whims, and spending time with their dogs.

From United Way For Greater Austinthis month's Get Involved spotlight organization:  

Our Mission

We bring people, ideas and resources together to fight poverty in our community

Street Corner Arts is presenting a production of Ayad Akhtar’s play Junk. “The play is based on the junk bond scandal back in the '80s, but what’s interesting about it is that … here we are thirty years later and you’d think that the financial world [and] the political world would’ve learned their lesson but we see a lot of the same behavior today,” says Rommel Sulit, the company’s associate artistic director and an actor in Junk.

“As far as men behaving badly, it seems like they haven’t learned.”

“It’s actually going to be a quite dynamic night,” says Cheryl Chaddick, the founder of Chaddick Dance Theater, about their upcoming winter showcase performance, Beneath the Mind. “We have three pieces, and one is a nightmare, one is a dream, and one is a memory of a life spent in marriage.”

That memory piece is choreographed by Chaddick and based on her own marriage.  “I lost my husband last year, and so I was just thinking about all the stages of when we started dating and how we behaved and then in the middle of the marriage and then the last part of the marriage,” she says. “So it’s a lot of reflection on that, and just the arc of that experience.”

Austin’s OUTsider Festival will celebrate its fifth year this week, but when Curran Nault and the other founders were planning that first fest, they weren’t really thinking about year five.

“It’s such an unusual idea, the festival,” Nault says. “So I think we were just really thinking in the moment that we wanted to create something. And we were hoping that people would like what we created and then we would take it from there. And honestly, that’s how we’ve approached it every year since.”

Rap Unzel, the new children’s play running at Austin Scottish Rite Theater this month, was born out of a brainstorming session last summer, during which writer Jeremy Rashad Brown and members of the theater discussed ideas for this year’s Black History Month.

From Mainspring Schools, this month's Get Involved spotlight organization:

The mission of Mainspring Schools is to deliver the highest quality early education and care to Austin’s most economically disadvantaged children – along with services so each child and parent have tools for success in school and life.

For the past decade or so, the nonprofit Austin Creative Alliance has been hosting an annual unified audition, a one-day event that aims to connect actors and other creative artists with producers, filmmakers and casting directors. Originally an actors-only audition day, the event has now expanded to include directors, designers, choreographers and other theater professionals.

“I play all the characters in whatever world or scene we’re in at the time, and Quinn plays me,” says Shannon Stott, who is one half of the improv troupe Twins. “And if you haven’t figured it out by now, Quinn is a white male and I am a black female.”

Stott’s partner Quinn Buckner adds with a laugh, “If you haven’t figured it out yet, by the… magic of radio…”

Twins came into being when Stott and Buckner (who are not actually twins, but are actually best friends), both improv veterans, started discussing a longstanding but frustrating truth about the improv world.

“So it’s taken me about 11 years to complete this film,” Richard Whymark says of his documentary Fiore: In Love With Clay.

“I started when my wife first mentioned Fiore as a family friend who would be the sculptor who would come and visit their home in D.C.," he said. "And she would have a cigar in one hand, whisky in the other, and somehow sculpt members of the family or friends. And she would tell stories about her character as either being very bombastic or very reflective and artistic. She was a great artist and had an artistic temperament as well, and I thought, ‘that sounds like a good story to document.’”

From American Gateways, this month's Get Involved spotlight organization:  

American Gateways champions the dignity and human rights of immigrants, refugees and immigrant survivors or persecution, torture, conflict, and human trafficking through exceptional immigration legal services at no or low cost, education, and advocacy. We empower immigrants to know their rights and be their own best legal advocate, and for some we provide full legal representation.  Last year, over 10,000 immigrants from nearly 70 countries were empowered through the information and assistance they received from us.

To hear Darren Peterson tell it, his long-running holiday show The Mutt-Cracker (SWEET!) was created by his love of both dog tricks and puns. “Well, I love doing dog shows, and the name ‘Mutt-Cracker’ occurred to me, and how can you not just base a show around that name?” he says. “And then the ‘sweet’ part – once I thought about ‘Mutt-Cracker (Sweet),’ that just turned into its own little thing. Who’s not going to love that?”

Kirk Tuck

Director Nat Miller isn’t a stranger to Zach Theatre’s Mainstage productions – The Santaland Diaries is his third – but he’s spent more time directing shows for Zach’s Theatre for Families series. But despite Santaland’s decidedly more adult nature, he says the jobs are pretty similar. “I find that Santaland Diaries and doing plays for young people aren’t that different,” Miller says with a laugh. “It is on top of a toyland set. There just happens to be some swearing involved.

“We didn’t see this coming at all,” says Blue Genie co-owner Dana Younger about the enduring appeal of the group’s annual bazaar. “I think one of our employees one year said ‘You know what? Y’all should do a Christmas show.’ And we said, ‘Oh, OK, we’ll do a Christmas show.’ And we put some things up, we invited some friends to put some things up, and we were shocked when things sold.”

After the surprising success of that first show, the folks at Blue Genie said, “’That was great. That was fun. We should do that again,’”  Younger says.

For Ryan Crowder and the other folks at Penfold Theatre Company, producing old fashioned radio plays has become a holiday tradition. “This is our seventh Christmas radio show to do,” Crowder says. “We started out in downtown Round Rock in this little British tearoom. We took a radio script that was already adapted – of It’s a Wonderful Life – and had such a great time… we said, ‘Oh, we have to do this again.’”

This holiday season, Ventana Ballet will present its debut performance, a new, interactive, re-imagined version of The Nutcracker called The Watchmaker’s Song. For producers AJ Garcia-Rameau and Dorothy O’Shea Overbey, it’s a project that’s been a long time coming.

From NAMI Austin, this month's Get Involved spotlight organization:  

NAMI Austin will celebrate 35 years of providing no-cost classes and support groups to families and individuals living with mental health conditions in 2019. In the last 5 years, NAMI Austin’s programming has expanded to include free site-based mental health education and training in schools, workplaces, faith communities and with law enforcement. Because mental health challenges impact 1 in 5 people in our community, the need for our programs is increasing.

Our Impact

In 2018, NAMI Austin impacted more than 21,000 people in Austin and surrounding counties who participated in our free education, support and advocacy programs. Our 2018 Impact Report and Strategic Plan reflect where we are today and what we hope to accomplish in the next three years as we expand our programs to serve the needs of our growing community.

“I didn’t know I was going to like painting, but it’s the color that I gravitate toward, so my stuff is all pretty loud,” says artist Marilyn Swartz, who’s getting ready to show a year’s worth of new paintings at the upcoming annual art show and sale put on by Art From The Streets, Austin’s long-standing art therapy non-profit.

“We’ve been working with the homeless and at-risk in Austin, Texas for twenty-six years. We’ve had shows all through the community, and this is our big annual show,” says Art From The Streets executive director Kelley Worden. Artists who participate in the program have free access to art supplies and studio space three days a week. “We work all year, gathering artwork and working with our artists in open studio. They paint [and] create beautiful pieces of work and have a culmination show, and that’s what this show is.”

“Now, we did this show almost thirty years ago at Capital City Playhouse, a formerly legendary theater in Austin, Texas that no one remembers,” says Turk Pipkin of his upcoming show with old friend Butch Hancock. “So, back by lack of popular demand after thirty years.”

It’s been a while since the last installment of their “two-man one-man show,” but Butch and Turk have remained close friends since meeting decades ago in Austin. “I met Turk right out here – you know, two hundred yards from here, out on the Drag,” Hancock says. “And he was out there juggling and I was totally amazed and went up and talked to him and from that day on, we’ve known each other.”

“When I inherited these works and artist friends and people in the art world in Washington, D.C. would come in, they’d say, ‘Oh, who did this?’ And I’d say, ‘Oh, that’s my grandma,’” says Marni Roberson, the granddaughter of 19th century American painter Anna Stanley. “But, you know, she wasn’t a little old lady in tennis shoes.”

Anna Stanley’s art career wasn’t long – she died at only 42 – but it was prolific and world-spanning. She was born in Ohio, but painted in Paris, Holland, Asia, the Philippines, and across the U.S., including an extended stay in San Antonio. Her works were diverse; she painted landscapes and portraits, and showed a notable affinity for capturing the lives of working women she encountered in her travels. Many of her works are currently on display in the Neil-Cochran House Museum’s exhibition Through Her Eyes: The Impressionist Work of Anna Stanley.

From The Trail Foundation, this month's Get Involved spotlight organization:

Led by Executive Director Heidi Anderson, The Trail Foundation (TTF) is dedicated to preserving, enhancing, and connecting the Ann and Roy Butler Hike and Bike Trail for the benefit of all. The Butler Trail is the 10-mile lush, urban path in the heart of Austin that meanders along the edges of Lady Bird Lake, encompasses 199 acres of green space, and gets more than 2.6 million visits every year. Since its founding in 2003, The Trail Foundation has achieved restoration and beautification projects to the Trail’s infrastructure and environment, while honoring the original vision of the Trail’s founders and ensuring its vibrancy for generations to come.

"We did this two years ago, [and] it was a regional premiere of the work," says Michael McKelvey, Doctuh Mistuh Productions’ artistic director. “A friend of mine sent the soundtrack and I thought it was one of the most inventive things I’d seen, so I brought it here to Austin.”

That 2016 production of Nevermore: The Imaginary Life and Mysterious Death of Edgar Allan Poe was a big hit for Doctuh Mistuh, selling plenty of tickets and winning a handful of awards. Given the popularity of the show and it’s appropriateness for the Halloween season, it made sense to bring Nevermore back this October.

"This show examines what it means to be human and to feel all the things that humans feel and experience all the things that humans feel but have outsiders impose labels on you that make you essentially subhuman," says Trinity Street Players artistic director Ann Catherine Zárate of the musical Side Show.

"And so it plays with those ideas of 'Who's an insider? Who's an outsider? How do we all function together?' And ultimately, 'What does it mean to live in community and to feel and experience love and friendship?'"

The StoryCorps mobile booth was in Austin in January, and we’re bringing you some of the stories that were recorded there. Locally recorded stories will air on Monday mornings during Morning Edition and archived here.

Sisters Jackie McDonald and Jeannie Barnes spent some time together in the StoryCorps mobile booth, sharing memories of growing up together and of their loving parents, Fred and Donna Thomas.

"It's about motherhood, it is about female sexuality and the veneration of women... particularly looking at how women are shaped and formed in patriarchal, hierarchal institutional environments, says Tryouts director Diana Lynn Small, who goes on to say that "it's totally unconventional and it breaks almost all the rules. And in many ways it's more of like a play poem... we looked at it like it's a theatrical painting."  Then she adds, "It's so wild and bonkers."

The StoryCorps mobile booth was in Austin in January, and we’re bringing you some of the stories that were recorded there. Locally recorded stories will air on Monday mornings during Morning Edition and archived here.

Sandra Kroger spent some time in the StoryCorps mobile booth with her daughter, Carolyn Kroger Estes. They shared a lot of family stories, including Sandra’s memories of being a child during World War II, and her meeting her lifelong friend Sandy.

"It was a group process -- the seven of us sat down and worked on every aspect of it as a collective process," says Alexis Herrera of the show Rosita y Conchita. "So it's been really beautiful to see that from the beginning to now, here we are three years later, still going strong. And [the] show's still getting great response and we still love doing it."

The StoryCorps mobile booth was in Austin in January, and we’re bringing you some of the stories that were recorded there. Locally recorded stories will air on Monday mornings during Morning Edition and archived here.

Carol Walker was joined in the StoryCorps mobile booth by her son David. She remembered stories of her long career doing service work overseas. She began her work in 1954 and it has inspired her family to travel and embrace the world.

There is a lot going on in CB Goodman's new play *some humans were harmed in the making of this show. It takes inspiration from Tony Robbins, PT Barnum, and the true story of the 1903 public execution of an elephant named Topsy; there's drag, there are puppets, and there's self-help testimony.

"There's a lot," says writer/director CB Goodman. "That's why we had to call it a drag-puppetry-self-help-testimony show about Topsy. We're using so many different forms. And I'm really interested in sort of bringing together... how can you do drag and how can you do puppetry and how can you have someone's life story play out in [something] like a big tent revival?"

The play began to take shape in Goodman's mind five years ago, when she read the book Topsy: The Startling Story of the Crooked-Tailed Elephant, P. T. Barnum, and the American Wizard, Thomas Edison by Michael Daly. "And ever since then, that book of Topsy's life and all of the elements that came together to allow her public execution just fascinated me," Goodman says. "And so I decided to take her life and map it onto humans and stage a play."

"I read this play once upon a time and fell in love with it," says Present Company artistic director Stephanie Carll about Kirk Lynn's Your Mother's Copy of the Kama Sutra. "And new works has never been something that Present Company really had a foothold in. It's always been something that I've wanted to pursue." 

Lynn's play isn't brand new -- it's been produced in New York previously -- but it is making its regional debut with this production. Lynn's happy to see a staging of the show in his hometown. "I'm an Austin writer, and I think writing for an Austin company and Austin actors -- there's a buoyancy, I think, to this production," he says. "There's some heavy material at points throughout the play... [but] the majority of the play really has this buoyancy that keeps floating through it."

From The Austin Center for Grief & Loss, this month's Get Involved spotlight organization:

The Austin Center for Grief & Loss (Austin Grief), formerly known as My Healing Place, is a bereavement center founded in Austin, TX in 2007. Founder Khris Ford had been personally impacted by grief when her teen-aged son was killed in an automobile accident as he was leaving his Houston high school in 1989. Shortly after this tragedy, Khris was instrumental in developing the programming at Bo's Place, a children's bereavement center in Houston.

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