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Austin is offering $2,000 grants to help struggling musicians, engineers, techs, promoters and other folks within the city's music scene.
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High school students taking lessons with Austin Classical Guitar spent the month composing a song with Clarice Assad. They'll perform the song together at Bass Hall next month.
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Musicians often don’t have a safety net — no savings or pension, and sometimes no Social Security because they aren't on a payroll. That’s where organizations like HOME have stepped in.
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People in Austin's music industry historically haven't made much money, so the ecosystem has had to depend on affordable housing to thrive.
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Jones says it's a struggle to be a Black female musician in Austin. And, she says, you have to do it all yourself: “It’s just all these hats you have to wear, and it just breaks your neck, you know? The weight of all these hats.”
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A professor of music ecosystems calls a city's music scene an amenity. “Some people like to live by the ocean. Some people like to live by the mountains. Some people like to live next to thriving music scenes."
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Kate Howard says she contracted the virus after a five-minute conversation with a friend who also had been vaccinated.
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Founders Seth Green and Eric Heiret had considered putting their business on hold last year. But then the world shut down, and they took that as a sign to keep going.
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Jeannette Gregor has worn many hats: bartender, event coordinator, music festival production worker, screenwriter. When the music industry began to feel the economic effects of the pandemic, she put on another one.
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We all found out during the pandemic how hard it is to live without live music — and just how fragile the Austin music ecosystem is.